| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | |
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1 | Data Source | Environment | Intervention | Presentation | ||||||||||||||||
2 | Chapter | Title | Publishing Date | Rhizome Preservation | External Preservation | Documentation | Artist Live Link | Rhizome Archives | Clone | Web Archive | Server Environment | EaaS Client Environment | Remote Browser | Reconstruction | Repair | Mis-en-scène | Re-Enactment | Temporal Normalization | Notes | |
3 | 1 | A Cyberfeminist Manifesto for the 21st Century | 2016-10-27 | The manifesto text was originally circulated as a poster, in magazines, on email, and via LambdaMOO. For the re-enactment, a PDF version of the poster is available for download, the text can be requested by entering an email address on the Net Art Anthology page for this work, and a printed poster was distributed at New York City events and the New Museum store. | ||||||||||||||||
4 | 1 | Reabracadabra | 2016-03-11 | The artwork was originally distributed via the now-defunct Videotexto network, based on Minitel terminals pioneered in France in the early 1980s. A digital video was created from the original artwork data stored on a diskette, simulating a contemporaneous look and transmission speed. A gutted Videotexto terminal was outfitted with a digital screen behind a matte glass screen simulating the look of a CRT. An integrated digital video player that shows the animation. This restoration was created by the PAMAL research unit at l'Ecole Supérieure d'Art d'Avignon. Rhizome commissioned video documentation for Net Art Anthology. | ||||||||||||||||
5 | 1 | My Boyfriend Came Back From the War | 2016-10-11 | - / - | ||||||||||||||||
6 | My Boyfriend Came Back From the War | Presented in Netscape Navigator 3.04 for Windows. To support the intended dramaturgy created for dial-up access, the artist's server uses bandwidth-throttling. | ||||||||||||||||||
7 | My Boyfriend Came Back From the War (blog) | Captured via a web crawler and presented as a web archive hosted on Rhizome's Webenact server. | ||||||||||||||||||
8 | Mi pololo volvió de Antuca | Captured via Webrecorder and presented as a web archive hosted on Rhizome's Webenact server. | ||||||||||||||||||
9 | My Boyfriend Live-Tweeted the War | Captured via Webrecorder and presented as a web archive hosted on Rhizome's Webenact server. | ||||||||||||||||||
10 | 1 | The File Room | 2016-11-17 | As the original hosting provider announced the shutdown of legacy Microsoft Windows-based servers, the work’s software and database were migrated into a Linux container environment based on a free/libre software stack. Presented in Netscape Communicator 4.8 for Windows. | ||||||||||||||||
11 | 1 | FloodNet | 2016-01-12 | The original work used a Java applet to flood target sites on the live web. The applet was patched to point to stub servers owned by Rhizome, showing rough facades built from materials found on the Internet Archive's Wayback Machine. Live error log information from the stub servers is shown so visitors can see the messages caused by the flooding applet. Presented in Netscape Communicator 4.8 for Windows. | ||||||||||||||||
12 | 1 | Mouchette | 2016-08-12 | - / - | ||||||||||||||||
13 | Mouchette | The artist is constantly changing and updating the live site. | ||||||||||||||||||
14 | Why Not Sneeze? | An incomplete copy of the first version of the Mouchette site hosted on xs4all.nl was extracted from the Internet Archive's Wayback Machine. Some missing images could be sourced from Wayback Machine copies of Mouchette.org, the domain the work was moved to later. Presented in Netscape Navigator 3.04 for Windows. | ||||||||||||||||||
15 | Kill that Cat | This part of Mouchette.org was shown as a standalone "splash" page on Rhizome.org in 1999. Presented in Netscape Communicator 4.8 for Windows. | ||||||||||||||||||
16 | 1 | Mezangelle | 2016-12-15 | Poems originally distributed to the 7-11 listserve were recirculated via a new email subscription, spaced out over the course of a year. | ||||||||||||||||
17 | 1 | Form Art | 2017-12-01 | - / - | ||||||||||||||||
18 | Form Art | Presented in Netscape 3.04 for Windows. | ||||||||||||||||||
19 | First International Form Art Competition | A page from the Ars Electronica website dedicated to the Form Art Competition was partially recovered from the Internet Archive's Wayback Machine. Presented in Netscape Navigator 3.04 for Windows. | ||||||||||||||||||
20 | 1 | BIT Plane | 2017-01-19 | The artist-made video documentation of BIT Plane has been widely shown as an artwork in its own right and was used for Net Art Anthology, too. | ||||||||||||||||
21 | 1 | Heritage Gold | 2017-01-26 | The work was originally distributed as a modified Photoshop app and a set of image template files. The restoration presents them in a ready-to-use state in Mac OS 7.5. | ||||||||||||||||
22 | 1 | BlackLash | 2017-03-02 | Presented in Mac OS 7.5. | ||||||||||||||||
23 | 1 | The Dollie Clone Series | 2017-09-02 | Presented in Netscape 3.04 for Windows. | ||||||||||||||||
24 | 1 | The Web Stalker | 2017-02-16 | - / - | ||||||||||||||||
25 | The Web Stalker | 2017-02-16 | This artistic browser software is presented in Windows 98. Documentation explaining how to use the interface and suggesting legacy websites that are legible to the artwork has been added within that environment. | |||||||||||||||||
26 | I/O/D 3 | 2017-02-16 | Software originally circulated on diskette presented in Mac OS 7.5 in 640×480 pixel screen resolution. | |||||||||||||||||
27 | 1 | LOVE | 2017-02-22 | The work is specific to how Netscape Navigator 2 renders HTML frames, and its early iteration of JavaScript. Presented in Netscape Navigator 2.02 for Windows. A custom guestbook-like mechanism created with Perl 4 was restored. | ||||||||||||||||
28 | 1 | Documenta Done | 2017-02-03 | Presented in Netscape Navigator 3.04 for Windows. | ||||||||||||||||
29 | 1 | Female Extension | 2017-09-03 | - / - | ||||||||||||||||
30 | Original Project Website (obn.org) | The original site and the externally linked website of a net art competition run by Hamburger Kunsthalle were partially reassembled from material available in the Internet Archive's Wayback Machine. Presented in Netscape Navigator 3.04 for Windows. | ||||||||||||||||||
31 | Current Project Website (artwarez.org) | |||||||||||||||||||
32 | DER SPIEGEL | Extracted from the Internet Archive's Wayback Machine. Presented in Netscape Navigator 3.04 for Windows. | ||||||||||||||||||
33 | 1 | Bodies© INCorporated | 2017-03-17 | Artwork data that had initially been hosted on two different servers under different domains was merged into a single version. Heavy repair was performed on the most visible parts of the project, including legacy Perl 4 scripts and VRML97 3D models. Presented in Windows 98 running Netscape Communicator 4.7 and Cosmo Player 2.0. | ||||||||||||||||
34 | 1 | Automatic Rain | 2017-03-24 | The artist-preferred browser was Netscape 1. Due to server-side limitations, the work was presented in Netscape 2.02. | ||||||||||||||||
35 | 1 | Communication Creates Conflict | 2017-06-04 | Presented in Netscape Navigator 3.04 for Mac OS 7.5 via oldweb.today, using using materials from public web archives. | ||||||||||||||||
36 | 1 | Brandon | 2017-04-13 | The artwork has been fully adapted to contemporary browsers by the Guggenheim Museum's preservation department under the direction of Joanna Philipps. | ||||||||||||||||
37 | 2 | Black Net.Art Actions | 2017-05-04 | - / - | ||||||||||||||||
38 | Keeping Up Appearances | A 2015 Webrecorder capture from the artist's site is presented on Rhizome's Webenact server. | ||||||||||||||||||
39 | Blackness for sale | The original ebay listing was reconstructed as a static web page from materials stored by the artists and available on public web archives. | ||||||||||||||||||
40 | The Interaction of Coloreds | Because contemporary browsers block popup windows, an interim page allowing users to trigger the project was created. | ||||||||||||||||||
41 | 2 | Samsung | 2017-05-18 | The work was created for the Adobe Flash browser plugin. For users who cannot run a Flash plugin, a Webrecorder archive of the piece is offered for download, which can be accessed via the Webrecorder Player desktop software with Flash built in. | ||||||||||||||||
42 | 2 | skinonskinonskin | 2017-05-25 | Presented in Windows 98 running Netscape Communicator 4.79 with Macromedia Flash and Macromedia Shockwave. | ||||||||||||||||
43 | 2 | Marisa’s American Idol Audition Training Blog | 2017-06-01 | The blog was captured using a web crawler. Sites behind outbound links were extracted from public web archives using Webrecorder, selecting dates as close as possible to the publication time of each blog post. | ||||||||||||||||
44 | 2 | Gatt.org | 2017-06-08 | Presented in Netscape Communicator 4.08 for Mac OS 7.5 via oldweb.today, using materials from public web archives. | ||||||||||||||||
45 | 2 | World of Awe: The Traveler’s Journal (Chapter 1: Forever) | 2017-06-15 | Presented in Mac OS 9 running Internet Explorer 4.5, matching the graphical style of the work. | ||||||||||||||||
46 | 2 | Airworld | 2017-06-22 | In addition to presenting the main web site, an original commercial banner for the art project was inserted into the 1999 front page of disney.co.uk copied from the Internet Archive's Wayback Machine. Presented in Mac OS 9 running Internet Explorer 4.5. | ||||||||||||||||
47 | 2 | Neen | 2017-06-28 | - / - | ||||||||||||||||
48 | 2 | after neen | Presented in Firefox 49 for Linux. | |||||||||||||||||
49 | 2 | jesusswimming .com | Presented in Firefox 49 for Linux. | |||||||||||||||||
50 | 2 | togetherness .org | Presented in Firefox 49 for Linux. | |||||||||||||||||
51 | 2 | whitneybiennial .com | Presented in Firefox 49 for Linux. | |||||||||||||||||
52 | 2 | Velvet-Strike | 2017-07-13 | - / - | ||||||||||||||||
53 | Documentation Video | Video documentation created by the artists was copied to Rhizome’s server. | ||||||||||||||||||
54 | Project web site | Project website was captured with Webrecorder. | ||||||||||||||||||
55 | 2 | Screenfull | 2017-07-21 | Because it was not possible to produce a software environment that could could perform important aspects of the work, Screenfull was presented as a video walk through. | ||||||||||||||||
56 | 2 | Telepresence 2 | 2017-07-27 | - / - | ||||||||||||||||
57 | Telepresence 2 | Presented in Firefox 49 for Linux. | ||||||||||||||||||
58 | Telepresence on corpos.org | Presented in Internet Explorer 4.0 for Windows. | ||||||||||||||||||
59 | 2 | Data Diaries | 2017-08-04 | The work's website was captured using a crawler and Webrecorder. Presented in Mac OS 9 running Internet Explorer 5.1. | ||||||||||||||||
60 | 2 | Rent-a-Negro | 2017-08-16 | Extracted from the Internet Archive's Wayback Machine. | ||||||||||||||||
61 | 2 | Re-move.org | 2017-08-30 | Presented in Windows 98 running Netscape Communicator 4.07 with Macromedia Shockwave. | ||||||||||||||||
62 | 2 | Epithelia | 2017-09-13 | Presented in Windows 98 running Netscape Communicator 4.07. | ||||||||||||||||
63 | 2 | alpha 3.4 | 2017-09-21 | Stub data harvested from public web archives and photographic documentation was used to reconstruct several pages from the project website. It was possible to create a screenshot, but the collected data overall was too fragmentary to warrant public presentation. | ||||||||||||||||
64 | 2 | Life Sharing | 2017-09-27 | The artists uploaded all public files from their copy of the legacy server to a Linux container hosted by Rhizome. The custom directory listing designs could not be reproduced from this copy and were subsequently re-implemented. The GPS tracking component of the artwork relied on an external mapping service that has significantly changed since the creation of the artwork. The structure of map tiles cached by the artists was reverse-engineered to simulate the original behavior of displaying the artists' position at different points in time on a world map. | ||||||||||||||||
65 | 2 | Dispersion | 2017-10-20 | - / - | ||||||||||||||||
66 | Dispersion | Included a live link to the artist’s own archive of his website circa 2002, and a live link to the latest version of the artwork PDF. | ||||||||||||||||||
67 | Phytognomica | Web page and external links extracted from public web archives using Webrecorder. Presented in Firefox 49 for Linux. | ||||||||||||||||||
68 | 2 | How Do You See the Disappeared? A Warm Database | 2017-11-01 | The project and external links were captured using Webrecorder. Presented in Windows 98 running Firefox 2.0, QuickTime 6.1, and Adobe Acrobat 4.0. | ||||||||||||||||
69 | 2 | distributingmartin | 2017-11-09 | Presented in Google Chrome 53 for Linux. | ||||||||||||||||
70 | 3 | Hell in Lamb UC | 2017-11-30 | The Myspace pages were reconstructed from legacy Safari Webarchive files created by the artist. Missing pieces have been filled in from public web archives. | ||||||||||||||||
71 | 3 | into time. com | 2017-12-06 | The piece was originally created with Adobe Flash. The artist re-created the piece for HTML5 in 2012. | ||||||||||||||||
72 | 3 | EverythingIveEverWantedtoKnow.com | 2017-12-14 | The 2008 version of the work was extracted from the Internet Archive's Wayback Machine. The 2017 version was captured from the live web, using Webrecorder in both instances. | ||||||||||||||||
73 | 3 | Nine Eyes of Google Street View | 2017-12-21 | - / - | ||||||||||||||||
74 | Nine Eyes of Google Street View | A web archive of the Tumblr blog was presented on Webrecorder alongside a link to the live web. | ||||||||||||||||||
75 | IMG MGMT: The Nine Eyes of Google Street View | Online visual essay was captured with Webrecorder. | ||||||||||||||||||
76 | 3 | Art Thoughtz | 2018-01-12 | Linked to the live YouTube channel due to age verification issues during the web archiving process. | ||||||||||||||||
77 | 3 | Domestic Tension | 2018-01-19 | The website was partially reconstructed from captures available on the Internet Archive's Wayback Machine. | ||||||||||||||||
78 | 3 | Scandalishious | 2018-02-02 | A mock YouTube channel page was constructed with materials extracted from public web archives with Webrecorder. Videos, including those previously deleted from YouTube, were inserted, using copies of the originally uploaded files from the artist's private archive. | ||||||||||||||||
79 | 3 | VVEBCAM | 2018-03-01 | A 2009 version of the YouTube page in which the video was originally embedded was extracted from public web archives with Webrecorder and manually repaired. Rhizome already held a copy of the video, which was then inserted into this setting. | ||||||||||||||||
80 | 3 | Blind Spot | 2018-03-08 | - / - | ||||||||||||||||
81 | 3 | 93.1 JACK FM LOS ANGELES 2008 | 2018-02-22 | A Webrecorder archive of the work is presented in Firefox 57 for Linux next to a live link. | ||||||||||||||||
82 | 3 | Refresh | 2018-03-22 | A copy of the transcript was copied to Rhizome's servers. | ||||||||||||||||
83 | 3 | I-BE AREA in Out of Order YouTube messy-format | 2018-03-29 | The YouTube playlist containing the series was captured with Webrecorder. | ||||||||||||||||
84 | 3 | RMB City | 2018-04-20 | The artist’s blog was presented in Firefox 49 for Linux to accomodate Adobe Flash elements, alongside live links to artist-owned Vimeo and YouTube videos. | ||||||||||||||||
85 | 3 | Versions | 2018-04-27 | Embedded video from Vimeo account of artist’s gallery. | ||||||||||||||||
86 | 3 | Grobari | 2018-05-04 | PDF files were copied to Rhizome's server. | ||||||||||||||||
87 | 3 | out_4_pizza | 2018-05-10 | A Webrecorder archive of the site is presented alongside a live link. | ||||||||||||||||
88 | 3 | Transborder Immigrant Tool | 2018-06-01 | An SMS service was established to have poems originally presented via a mobile app sent to a desired phone number. | ||||||||||||||||
89 | 3 | The Revolving Internet | 2018-06-14 | The artist has continuously adapted the work to changing behaviors of the Google homepage. | ||||||||||||||||
90 | 3 | Spirit Surfers | 2018-06-20 | A partial web archive of the blog was presented in Webrecorder, alongside a live link to the active project. | ||||||||||||||||
91 | 3 | Paperrad.org | 2018-08-07 | Presented eight versions of the paperrad.org home page as prepared for an online exhibition in 2012. | ||||||||||||||||
92 | 4 | Untitled/Clefa | 2018-08-24 | Documentation of a live performance was presented. | ||||||||||||||||
93 | 4 | Image Objects | 2018-08-31 | - / - | ||||||||||||||||
94 | The Image Object Post-Internet | Jstchillin artist project was captured with Webrecorder. | ||||||||||||||||||
95 | Image Objects | Artist's web site documenting several iterations of the work was captured with Webrecorder. | ||||||||||||||||||
96 | 4 | Ethira | 2018-09-14 | Website data was supplied by the artist. Click-to-launch was implemented to make background video play on contemporary browsers. | ||||||||||||||||
97 | 5 | VOTEAUCTION | 2018-11-05 | Linked to remains of the live site maintained by the artists. | ||||||||||||||||
98 | 4 | Contra-Internet Inversion Practice #1: Constituting an Outside (Utopian Plagiarism) | 2018-11-12 | The video was copied to Rhizome’s server. | ||||||||||||||||
99 | 4 | Psycho Nymph Exile | 2019-10-05 | - / - | ||||||||||||||||
100 | Probiotic River Therapy | WebGL piece was captured with Webrecorder. | ||||||||||||||||||