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Laura Brothers
2007 - ongoing

Laura Brothers started the out_4_pizza LiveJournal with the intention of posting a single entry: a collection of found images from around the web. After several such posts, she began posting her own digital creations.
Brothers’ works are sometimes described as digital paintings. She creates them using a computer mouse and consumer-grade software tools such as Photoshop or MS Paint.
Laura Brothers, egyptianfieldgame.jpg, 2012. Click to open in new window for full-size viewing.The works often involve a shifting interplay between hard-edged pixel fields that reinforce the digital grid of the computer screen and organic, brushlike gestural marks made with a computer mouse.
When Brothers’ images are in motion on the screen, their pixel-perfect grids pulse with moiré patterns. It is only when the user is at rest that they can be viewed clearly.
Laura Brothers, LONELY1.png, 2014Brothers also posts gifs of some of the pieces. While gifs are non-narrative, they are time-based, requiring the viewer to linger to view a full loop, adding a further temporal dimension to the blog.
Laura Brothers, contusionface.gif, 2009.
Brothers began posting her work online in part to enter into a dialogue with viewers and other artists. The LiveJournal led to involvement in Computers Club, a group of artists who post their original works to a shared online platform.
Laura Brothers’ profile page on Computers Club. Screenshot taken in Google Chrome, 2018.
As LiveJournal has changed, the viewership and format of out_4_pizza have been affected as well.
For example, one of the central attractions for the platform initially was that it did not compress or resize images, which was important for Brothers’ precise compositions. After a design change, full-sized images could only be seen on the platform by clicking through from the LiveJournal post.
Nevertheless, Brothers has continued developing out_4_pizza as an iterative act of storytelling through images.
Laura Brothers, disulpitch_block.jpg, 2012
By scrolling through Brothers’ posts, visitors can track shifts in her practice over time: recurring motifs and images, discrete phases, moments of low or high output.
The eleven-year scroll of out_4_pizza draws the viewer‘s attention to the artist’s own chronology of thought and production.
Transborder Immigrant Tool
Electronic Disturbance Theater 2.0/b.a.n.g. lab (Micha Cárdenas, Amy Sara Carroll, Ricardo Dominguez, Elle Mehrmand, and Brett Stalbaum)
2007
- ongoing
Spirit Surfers
Kevin Bewersdorf, Paul Slocum, Marcin Ramocki, Ethan Hayes-Chute, John Transue, Luke Murphy, Krist Wood, Aron Namenwirth, Harm van den Dorpel, Dragan Espenschied, Travis Hallenbeck, Olia Lialina, Peter Wilson, Patrick Armstrong, Patrick Groth, Peter Blasser, Chad Hopper, Rachel Abelson, Petra Cortright
2008
- ongoing