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Cory Arcangel
2014 - ongoing
For Arcangel Surfware, Arcangel has emblazoned his signature Comic Sans typeface, yin-yang symbol, and rainbow gradients onto a variety of retail products: bedsheets, tracksuits, zines with printed lines of code, and vinyl albums of electronic keyboard music.
As the company evolved, it began to expand its offering to include celebrity-themed fidget spinners and projects by other artists, such as Tony Conrad’s “Music and the Mind of the World” (created 1976–1982, released 2017).
Along with a now-shuttered online store, Surfware embraced creating unique retail environments, holding court at art book fairs and staging pop-ups.
Installation view: Cory Arcangel, “You Only Live Once,” Holiday Inn Soho, New York, USA, May, 2014. Works pictured: 24 Dances For The Electric Piano Long-Sleeve Silkscreened T-Shirt, 2013; Spectrum Yin-Yang Crest- T-Shirt, 2014. Photo:David Brandon Geeting. Courtesy: Arcangel Surfware.
The brand launched with a temporary shop in a Manhattan Holiday Inn conference room, where fans and collectors could purchase the artist’s branded goods.
“I would consider them two parallel systems. Surfware has its own mailing list, its own customer base, its own invoicing protocol; it also has its own products, which have their own inventory number... So it’s separated. But, in terms of the relationship with my work; although it is parallel, there is a kind of bleed.” — Cory Arcangel
Cory Arcangel x Arcangel Surfware, Flagship, 2017 (Detail). Flagship store and sometimes art gallery. Photo: Jan Inge Haga. Courtesy: Arcangel Surfware
In 2018, Arcangel Surfware opened its brick-and-mortar flagship in Stavanger, Norway. The thirty-four square-meter storefront, formerly a rifle shop, also hosts an in-house gallery, Flagship A.S.
The flagship will be recreated for a one-day event at the New Museum on May 18, 2019, as part of the exhibition “The Art Happens Here: Net Art’s Archival Poetics.”
Arcangel Surfware Scanner Painting Frequent Flyer Neck Pillow, 2019.
Pursuing net art’s long-standing fascination with commercial aesthetics to its logical conclusion, Arcangel Surfware plays on the overlap between his roles as artist and entrepreneur.
The project is less a critique of art’s commercialism than a kind of retail therapy: through Arcangel Surfware, the artist is able to engage directly with audiences without institutional mediation, while carving out space within the commercial internet for aesthetic expression.