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MTAA
1997
SNAD was initially published by the duo as part of their project TIME! (1997), in which participants could purchase a print of their own likeness as seen by the artists via the early videoconferencing system CU-SEE ME.
TIME! thus realized the kind of live, performative, networked encounter illustrated by SNAD. MTAA wanted to convey to audiences that the artwork wasn’t just what was on their screens, but the exchange or dialogue itself.
Belying the diagram’s apparent simplicity, the “here” in SNAD can be interpreted in multiple ways: as the physical infrastructure of the internet, as a network context from which a work cannot be extracted without altering it fundamentally, and as the space between users, where no clear distinction is drawn between author and audience.
In 2003, artist Abe Linkoln (Rick Silva) reimagined the work as the Complex Net Art Diagram, the first in a series of remakes over the ensuing years.
Abe Linkoln (Rick Silva), Complex Net Art Diagram, 2003.
In response, MTAA released the work under a Creative Commons Attribution 2.5 license, explicitly permitting others to reuse and reinterpret it as long as they credit the original authors.
Kev Bewersdorf, 2008.
Rhizome re-interpreted Simple Net Art Diagram as a large vinyl graphic for exhibition as part of The Art Happens Here: Net Art's Archival Poetics at the New Museum, January 22–May 26, 2019.